Pam Houston Glimmers
Posted on April 15, 2013A double fatality accident on Highway 49 made me late to Pam Houston’s evening reading at Columbia College. I was still thinking about the hot red flares on the road and the line of cars diverted to an alternate route as I slid into a seat in the Dogwood building. A light flashed from the stage into my eye. It took a minute to realize it came from a square bauble hanging from the chain around Pam’s neck. She had added a jacket to her outfit since her afternoon reading at the library. Had she worn the necklace earlier? I couldn’t remember but I started listening. She was talking about how she writes in glimmers.
Here is a list of the things I heard Pam Houston say:
- Notice and record. Quoting Henry James, “A writer is a person upon whom nothing is lost.”
- Write when a thing glimmers at you. Begin by keeping it small.
- Write with your “screaming brain.” If you think about it, it’s going to be overdetermined.
- You have to be willing to go with it for a long time before something happens. Good stuff reveals itself in the mess.
- Narrative tension: You can write a story about a great day at the beach. The tension exists between every line in the memory of all the days that didn’t go great.
- The metaphor knows more than you.
- Revise, revise, revise.
- Do a compassion read. Get outside yourself and see how it might sound to others.
- Read it aloud. Pay attention to the rhythm of the sentences.
- Make your words work very, very hard. Cut all the extraneous stuff.
- Make rules and break them. (e.g. Pam writes in sections of 12 ; she makes titles that are 3 troches: “Cowboys are My Weakness” and “Contents May Have Shifted.” “Sight Hound” is only 8 sections and that title is one troche.)
- Deadlines can be your friend.
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